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Camera with a View

I am an admirer of some of the great masters of early photography. It was not only their vision that made the work great, but in many cases, the types of equipment used. They didn’t have the huge array of advanced cameras to choose from, like we do today. Things were a lot more primitive. 

 

One of my favorite early photographers is Edward Weston. He shot with an 8×10 view camera. Can you imagine a finished 8 inch by 10 inch negative? His black and white prints are exquisite, and have a tonal quality and sharpness that is hard to describe. In 1978, I had the pleasure of attending a photography workshop in Carmel, California, where I studied under his son, Cole.

 

Working in 35mm, I could see the superior quality of large format photography. I examined gallery prints made by Ansel Adams, Edward Weston and his sons Brett and Cole, among others. When I got back home on the east coast, I wanted to apply some large format in my own work. View cameras are expensive. But when I saw an ad in American Photographer  for a kit to build my own 4×5 view camera, I jumped at the chance. For $85, it included the lens plate, ground glass, bellows, shifts and tilts, everything except a lens. My friend Allen Jones who was attending RIT at the time, scored my Ilex Acuton 215mm lens for $250 in Rochester.

 

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The assembled 4×5 view camera kit, designed by architect, Les Fader

 

Using the finished camera became a learning experience, and I made some mistakes. There were issues with light leaks between the film holders and the camera, and sheet film developing techniques, but I eventually kinda got the hang of it. On the windy, often stormy conditions of the Outer Banks, the bulky view camera has it limitations. So I used it mainly for still life compositions around commercial fishing harbors. 

 

 

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The “Edwin Jr.” derelict at Avon Harbor

 

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Crab Skiff at Avon Harbor

 

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Net Skiff, Rodanthe Creek

 

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Shad Boat, Rodanthe Creek

 

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Longhauler, Collins Gray at Rodanthe Fish House

 

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Knapp’s Narrows at Tilghman Island, Maryland

 

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Chicamacomico Winter, 1980

 

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A Dune near Buxton

 

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A Tribute to Weston

 

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Broken Glass, Rodanthe Creek

 

I made about 60 Tri-X negatives, then decided to put the camera away. It was a lot of effort to use. And as photographer Ernst Haas, once told my class, shooting with a view camera was “like carrying the cross”. In a way, that wasn’t far from the truth. Besides at the time, it didn’t quite fit my style of shooting. I never even printed most of the images.

 

Then a few months ago, I found some negatives stored, with silica gel, in an old ammo box. For the past month, I’ve been making prints. Some beautiful 16×20’s too. I can’t tell you what a refreshing change it is from the popular digital shooting arena. Printing in black and white again is like finding an old long lost friend. Don’t be surprised if you see some new work from this old camera.

Hurricane Bill

 

I can’t remember how many hurricanes have come and gone, since I’ve lived on the Outer Banks. It seems like dozens. Some of them have made direct impacts on us, while most others have had much less or no affect. One of the most reliable deterrents for these storms is a cold front moving across the country. No matter how powerful they are, tropical weather systems cannot penetrate these natural barriers. Such was the case in our most recent hurricane called Bill. The timing was right to allow the storm to stay hundreds of miles offshore. Relatively large swells were predicted well in advance, and that’s exactly what we got. On Hatteras there was no evacuation, so visitors got a good taste of high seas, Outer Banks style.

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The place was crawling with sightseers and, of course surfers. Twenty years ago, I might have been included in the surfer category, but now more in my twilight, I’m resigned to being more of a sightseer when the swells are so big. Over the years, I’ve photographed just about every storm that’s hit the island, and I still love the thrill of it.

As usual, some overwash and highway closures are expected. But in this instance, it wasn’t quite as bad as it might have been. It was nonetheless, stimulating. North Rodanthe is usually at the center of activity. By Saturday morning the S-Curve road was wet, salty and sandy, but not enough to shut down the flow of traffic.

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The northernmost house at the Pea Island National Wildlife Refuge border is called “Serendipity”. It was built about 20 years ago, when there was an existing seaward dune. But this location has one of the highest erosion rates on the island… 14 to 16 feet annually. It’s really hard to believe the house is still there, although it’s been condemned because of damage, numerous times.

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In May of 2007, it was used in the movie set of the Richard Gere chick flick, Nights in Rodanthe. Tourists and movie aficionados alike have been stopping to photograph this landmark, and this event was no exception. I’ve never seen so many people storm watching from here before… ever.

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Later in the day, I waited for more favorable afternoon light and went to the Hatteras Island Fishing Pier in Rodanthe. For a buck, it’s the second best deal on the island. The first being the free ferry ride to Ocracoke, compliments of the North Carolina taxpayers.

By the time I got to the pier, the predicted cold front was also arriving. Black clouds came swirling in from the west. Everyone else out on the end of the pier had gone back to shore. The surf continued battering the pier pilings as it rocked back and forth. How can this structure survive this kind of an environment? The answer is, it doesn’t. It constantly has to be repaired and rebuilt.

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As the cold front passed, the warm muggy air was replaced by cool air and the wind picked up dramatically from the west. Rain squalls came in from the south, and before I realized it, I was standing on the end of the pier in a driving rain, continuing to take pictures, and even changing over to a small telephoto lens in the process. Dripping wet, I ran back to the protection of the pier house and watched the torrent continue.

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In an hour it stopped, and I returned to the end of the pier with a couple of other sightseers.

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Would you believe this is the same pier, exactly where Richard Gere and Diane Lane filmed one of their more romantic scenes for Nights in Rodanthe? If you do, you’d be right.