Category Archives: Outer Banks

Fall Color

Autumn transforms the landscape. The obvious occurs in deciduous forests around the country. But in dunes and salt marshes of Hatteras Island change is revealed in other ways.

In Fall, flowering plants such as goldenrod, attract migrant monarchs.

A mostly inconspicuous coastal shrub, sea myrtle bursts out in spectacular fashion.

Salicornia bigelovii is a striking plant of the salt marsh. Also known as dwarf glasswort, it’s succulent, salty and edible. The above photo shows it surrounded by spartina and juncus grasses. Sprouting lime green during warmer months, it grows about a foot tall and gradually turns crimson as the season cools down.

Its brilliance astounds me whenever I see it.

Glasswort develops seeds to propagate and eventually decomposes, making organic matter available to a variety of organisms. The salt marsh is truly alive and a valuable resource!

 

The Breakthrough

Tropical cyclones are better experienced from a distance. Earlier this month Hurricane Earl, hundreds of miles out to sea, swept by. High seas churned up and washed through in expected areas.  The S-curve originally paved a bit straighter, has long been notorious for ocean over-wash. The S configuration is due to the fact, it has been relocated westward so many times. Arguably it has been one the most expensive sections of road to maintain in the state.

With the new bypassing bridge opened, traffic will no longer need the traditional route.

Since the S-curve was abandoned, this was the first time an over wash has broken through the spot that has been repeatedly dug out, rebuilt and reused. This time that won’t happen, ever again.

Road signs are still in place with the asphalt surface buried under accreted sand.

Hundreds of sandbags were of little help against the power of the sea. As part of the bridge agreement they, along with the roadbed, will be excavated and removed.

For over 30 years Mirlo Beach has been a fantasy development that is becoming another victim to the Graveyard of the Atlantic.

Oceanfront property owners in dire shape, have gotten permission to move their houses west toward a street no longer needed. At the very best, it should give them a few more years to ponder their options.

Meanwhile, the Black Pearl stands stoically defiant in nature’s grasp.

Ray Matthews 1950-2022

I hadn’t lived on the Outer Banks but a few weeks when I met Ray. He was a waiter at Seafare Restaurant when I was in the kitchen putting dirty dishes through a Hobart machine. We became good friends. He was getting his feet wet with photography, and I was also becoming immersed. That commonality solidified our relationship. 

Months later we discovered our birthdays were the same day. Surely we were kindred spirits. Times were spent with photography. I delved into his collection of books, learning more about master photographers, composition and technique.

He had just built a small darkroom where with his help, I made my first color print. It didn’t turn out well, yet inspired me to set up my Beseler enlarger at home. From then on I was off and printing. His statement “I want to make photography my life’s work” is etched in my mind. At that time he was determined and couldn’t have been more than 24 years old.

Over the years, we collaborated, commiserated and at times competed for art shows and publications. Always friends, we both explored and consumed the nature around us. His work ethic was energizing for me to continue photography even though at times, things seemed tough.

Over decades, Ray produced an extraordinary body of work, and he loved it. I will truly miss him and his influence on what I do. Mostly though I’ll miss the little things, like his occasionally dropping by my studio announcing, “Mike, let me take you to lunch, my treat.” That would mean a ride to Lisa’s Pizza and Ray ordering Chicken Parmesan.

I’ll miss meeting with him at another favorite place, Cape Point, where on more than one occasion we toasted each other with a rum and coke, waiting for the magical light of a setting sun. 

Our friendship was perhaps the longest, most endearing of my life. If it hadn’t been for Ray, there’s no telling where I’d be, just not shoving dishes through a Hobart.

Chalk Up Another

After a few days of northerly gales, I got up this morning to hear about another oceanfront building succumbing to the perils of the sea. It was not unexpected. I wanted to have a look, and the area south of the Rodanthe pier was ground zero.

There was already a contingent on hand to see the spectacle. With visitors here, I’m sure most of them had never seen such a sight. Walking in I saw photographer friends, Don Bowers and Dan Pullen. Sauntering around various vantage points, I settled in on a wind-protected elevated perch where Don and Dan joined me. They were shooting up a storm.

Over the years I’ve lost count how many buildings I’ve seen destroyed. I’d venture that it approaches 50. In 2008 I watched one on Sea Haven Street actually buckle and go down.

Today after a 2 hour wait I got to witness another one in the process. It was leaning eastward on piles high over the beach as waves plowed beneath it.

 After an hour we heard a little snap. Fifteen minutes later another cracking sound. It was then I knew it was going to sea. Five minutes later we heard another crunch. A minute passed and the creaking picked up into a crash. Suddenly before our eyes, the foundation gave way and lowered the structure on to the incoming waves. It reminded me of the Wicked Witch  getting splashed with water and melting away.

In a matter of seconds, it had collapsed…

At first it floated around, teetering in the surf.

As water poured in, it began breaking apart, expelling contents.

Dan got up-close and personal as a wall of debris washed toward him.

In less than 5 minutes, you’d never know it was a two story house.

As man builds so close to the sea, the messy spectacle continues!

Avon Harbor

Local commercial fishing operations on Hatteras have always fascinated me. It’s the old school work ethic of harvesting from the sea that draws me in. Working on the water has been a cultural mainstay here for generations.

In 1996 I bought a Pentax medium format camera system. Using black and white or color negative film, the results surpassed 35mm work in the quality and sharpness of my darkroom prints.

That same year, I shot Avon Harbor when it still had a working waterfront.

Today most of that has nearly all disappeared.