Category Archives: black & white photography

Soul Surfers

My interest in surfing began in the 60’s, when I saw a Surfer Magazine for the first time. Even though it took me a few more years to actually ride a wave, I was hooked on the beauty and nature of surfing.

As a young college student, I knew it was time to jump ship when I found myself in chemistry class with a copy of Surfer wedged into my textbook. I left and moved to the beach. That was a turning point for me, and life’s path was narrowed down to where it would lead me today.

Louie getting ready for a paddle at the Shoals in Rodanthe, 1974. Back then nearly everyone surfed at the Lighthouse, and bypassed our villages.

I drifted into a network of friends that were also absorbed in the surfing culture. To us, it wasn’t a sport at all, but an almost spiritual way of life. Living carefree and day to day, we were essentially dropouts from what was typical America. Most of us weren’t looking for the two-car garage and the white picket fence dreams of most of our contemporaries. Waves were the most important thing, at times super-ceding jobs and even girl friends.

About 1968, I met Gary Revel at South Side, Indian River Inlet. His surfing took on a dynamic quality. He was among my new found surfing companions and could have easily gone into professional levels, but chose not to. We became life-long friends and still keep in touch. This photo of him cutting back at South Side was taken over 40 years ago, when I was just beginning to hone my photography skills.

Louie Batzler at South Side circa 1970. We surfed and traveled together for many years. As a trained brick mason, he found us construction jobs that provided our income.

Mark Foo was a very young kid, but hung around the older surfers. He was very driven and loved surfing more than anything. He used to wake me up for dawn patrol by tossing pebbles at my bedroom window. He could be a pest at times. Mark went on to the Hawaiian Islands, became a world renown big wave rider, and a highly successful entrepreneur. In 1994, he tragically lost his life while surfing Maverick’s in California.

The gang at Barton Decker’s surf shop circa 1974.

Summer of 1975, we gave these two hitch-hiking surfers a ride, while driving to Cape Hatteras Lighthouse for a big north swell.

Mike Langowski, known as the Polock, rode his long boards even after board designs got shorter. 1977 photo taken at the lighthouse.

Dave Elliot and Jeff Ray checking the waves in the village of Waves. That was the first order of the day, to dictate what you did with your time. No waves, then you do something else, like go fishing or work on your broken down car. Dave was a stylish surfer, especially longboarding. Jeff was also a competent and well-traveled surfer. He later introduced me to Costa Rica in 1982.

Robin, Bryant, Brent and Roger all pitch in to sand a hot coat on a board that I shaped for Roger. We lived in 2 trailers on the oceanfront in Waves. Little did we realize that there would be million dollar beach houses on this property 35 years later…. nor did we care.

Brent Clark on a beautiful Pea Island wave in 1974. This secret spot had a hard bottom well offshore. From the beach, the waves looked much smaller than they actually were. It was a really long paddle, several hundred yards out, and broke like a reef point for about five years. It had some of the largest and best shaped waves that I ever rode, and only about 10 people knew about it.

Classic car collection at the Hatteras Island Surf Shop.

Another classic car ready to roll.

“Holly” waits for the next duck hunting trip, while Robin Gerald sits on his  VW squareback, ready to find the next wave.

TO BE CONTINUED……



Camera with a View

I am an admirer of some of the great masters of early photography. It was not only their vision that made the work great, but in many cases, the types of equipment used. They didn’t have the huge array of advanced cameras to choose from, like we do today. Things were a lot more primitive. 

 

One of my favorite early photographers is Edward Weston. He shot with an 8×10 view camera. Can you imagine a finished 8 inch by 10 inch negative? His black and white prints are exquisite, and have a tonal quality and sharpness that is hard to describe. In 1978, I had the pleasure of attending a photography workshop in Carmel, California, where I studied under his son, Cole.

 

Working in 35mm, I could see the superior quality of large format photography. I examined gallery prints made by Ansel Adams, Edward Weston and his sons Brett and Cole, among others. When I got back home on the east coast, I wanted to apply some large format in my own work. View cameras are expensive. But when I saw an ad in American Photographer  for a kit to build my own 4×5 view camera, I jumped at the chance. For $85, it included the lens plate, ground glass, bellows, shifts and tilts, everything except a lens. My friend Allen Jones who was attending RIT at the time, scored my Ilex Acuton 215mm lens for $250 in Rochester.

 

camera

The assembled 4×5 view camera kit, designed by architect, Les Fader

 

Using the finished camera became a learning experience, and I made some mistakes. There were issues with light leaks between the film holders and the camera, and sheet film developing techniques, but I eventually kinda got the hang of it. On the windy, often stormy conditions of the Outer Banks, the bulky view camera has it limitations. So I used it mainly for still life compositions around commercial fishing harbors. 

 

 

EdwinJr

The “Edwin Jr.” derelict at Avon Harbor

 

crabber

Crab Skiff at Avon Harbor

 

net skiff

Net Skiff, Rodanthe Creek

 

shad boat

Shad Boat, Rodanthe Creek

 

Collins Gray

Longhauler, Collins Gray at Rodanthe Fish House

 

Narrows

Knapp’s Narrows at Tilghman Island, Maryland

 

Chicamacomico

Chicamacomico Winter, 1980

 

snowdune

A Dune near Buxton

 

whelk

A Tribute to Weston

 

Glassx6

Broken Glass, Rodanthe Creek

 

I made about 60 Tri-X negatives, then decided to put the camera away. It was a lot of effort to use. And as photographer Ernst Haas, once told my class, shooting with a view camera was “like carrying the cross”. In a way, that wasn’t far from the truth. Besides at the time, it didn’t quite fit my style of shooting. I never even printed most of the images.

 

Then a few months ago, I found some negatives stored, with silica gel, in an old ammo box. For the past month, I’ve been making prints. Some beautiful 16×20’s too. I can’t tell you what a refreshing change it is from the popular digital shooting arena. Printing in black and white again is like finding an old long lost friend. Don’t be surprised if you see some new work from this old camera.