Category Archives: buildings

Editing a Storm

This blog entry was originally posted on November 19, 2009


 

Now that the storm is over, the memory still lingers. Many of us also have images to refreshen those memories. Some of my favorites have already been published on this blog. But I have a few more to share.

 

At one point, during the fury of the storm the sun popped out for a little while. The seas were building and the water was swirling across the shore. Walking the area of Mirlo Beach, I could see that this was just getting more intense. I can’t explain taking pictures in this situation. It’s almost as though another sense kicks in. I’m surrounded by vibrant, visual energy, and I have to enclose portions of that in the viewfinder. Some shots, I know have impact as they are taken, but many come as surprises, later in the editing process.

 

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This may be the end of my storm entries for a while, at least I hope so.

 

 

 

NCDOT to the Rescue…… again

This entry was originally posted on November 16, 2009

 Yesterday the 15th of November, one day after the storm wiped out a portion of highway 12 at the S-Curve, North Carolina Department of Transportation officials began work to reconstruct the main road coming into north Rodanthe. They are working to build back the berm that was washed away. What they are going to do about resurfacing the road is another matter. In the meantime, only 4-wheel drive traffic is allowed to transit on a temporary sand road west of the affected area. This is in effect only during daytime hours.

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This morning, I looked out my upstairs window over the Pamlico Sound to see the NCDOT ferry “Stanford White” heading to Rodanthe. Once I arrived on the scene, I learned that the ferry operations would begin tomorrow carrying mainly commercial traffic and other vehicles between the Stumpy Point ferry terminal and Rodanthe. This is not an official notice, however, just what I was hearing at the time. It could be rumor. It could be fact. So far I see no notice about it on NCDOT or Dare County web sites.

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The new Rodanthe ferry service has had a few test runs in the past, but never truly implemented.

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Salvo native, Richie Austin seems pleased about the prospects.

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Jack Cahoon, the present NCDOT Ferry Operations Director was personally on hand to help smooth out the transition. Locals here have known for some time that this day was coming. It was just a matter of when.

 

November Northeaster

This entry was originally posted on November 14, 2009

 

One of the things that originally attracted me to Hatteras Island was the raw nature of the place. As the son of a meteorologist, I must have had this fascination ingrained in me. Dynamic weather conditions have shaped the Outer Banks for centuries, and this recent northeaster was a prime example. 


Forecasters had this one pegged pretty well. There was ample time to prepare, but for those with real estate interests on the Rodanthe oceanfront, all the preparation in the world could not hold back the force of the sea. 


I’ve photographed this particular location during storms for decades, and the coastline here has one of the highest erosion rates on the North Carolina coast. The ocean has chipped away storm after storm, year after year. In that time, people have chosen to build dream homes by the sea. Many have fallen victim to the waves, and many linger close by.

 

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Looking north toward Mirlo Beach.

 

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Serendipity on the north end of town, holding on.

 

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Highway 12 at Mirlo Beach facing north.

 

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The infamous S-Curve.

 

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The S-Curve 2 days earlier.

 

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The S-curve one week ago.

 

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Remnants of the S-Curve.

 

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This time the raging sea not only threatened beach houses, but it took a portion of our only roadway connecting us to the mainland. The State of North Carolina has spent millions of dollars trying to keep highway 12 intact. In a couple of spots, NC12 has had to be relocated to the west as previous roadways succumb to the sea. The S-Curve has been moved 3 times since I’ve lived here, but now it’s running out of room.

 

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Stay tuned for further developments!

 

Camera with a View

I am an admirer of some of the great masters of early photography. It was not only their vision that made the work great, but in many cases, the types of equipment used. They didn’t have the huge array of advanced cameras to choose from, like we do today. Things were a lot more primitive. 

 

One of my favorite early photographers is Edward Weston. He shot with an 8×10 view camera. Can you imagine a finished 8 inch by 10 inch negative? His black and white prints are exquisite, and have a tonal quality and sharpness that is hard to describe. In 1978, I had the pleasure of attending a photography workshop in Carmel, California, where I studied under his son, Cole.

 

Working in 35mm, I could see the superior quality of large format photography. I examined gallery prints made by Ansel Adams, Edward Weston and his sons Brett and Cole, among others. When I got back home on the east coast, I wanted to apply some large format in my own work. View cameras are expensive. But when I saw an ad in American Photographer  for a kit to build my own 4×5 view camera, I jumped at the chance. For $85, it included the lens plate, ground glass, bellows, shifts and tilts, everything except a lens. My friend Allen Jones who was attending RIT at the time, scored my Ilex Acuton 215mm lens for $250 in Rochester.

 

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The assembled 4×5 view camera kit, designed by architect, Les Fader

 

Using the finished camera became a learning experience, and I made some mistakes. There were issues with light leaks between the film holders and the camera, and sheet film developing techniques, but I eventually kinda got the hang of it. On the windy, often stormy conditions of the Outer Banks, the bulky view camera has it limitations. So I used it mainly for still life compositions around commercial fishing harbors. 

 

 

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The “Edwin Jr.” derelict at Avon Harbor

 

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Crab Skiff at Avon Harbor

 

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Net Skiff, Rodanthe Creek

 

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Shad Boat, Rodanthe Creek

 

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Longhauler, Collins Gray at Rodanthe Fish House

 

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Knapp’s Narrows at Tilghman Island, Maryland

 

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Chicamacomico Winter, 1980

 

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A Dune near Buxton

 

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A Tribute to Weston

 

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Broken Glass, Rodanthe Creek

 

I made about 60 Tri-X negatives, then decided to put the camera away. It was a lot of effort to use. And as photographer Ernst Haas, once told my class, shooting with a view camera was “like carrying the cross”. In a way, that wasn’t far from the truth. Besides at the time, it didn’t quite fit my style of shooting. I never even printed most of the images.

 

Then a few months ago, I found some negatives stored, with silica gel, in an old ammo box. For the past month, I’ve been making prints. Some beautiful 16×20’s too. I can’t tell you what a refreshing change it is from the popular digital shooting arena. Printing in black and white again is like finding an old long lost friend. Don’t be surprised if you see some new work from this old camera.

My Nights in Rodanthe

 

I have spent a few thousand nights in Rodanthe. As a young man, fresh out of college, I relocated there from Northern Virginia, via Bethany Beach, Delaware where I had befriended a small group of surfers. From there I made surfing trips to Hatteras, only to disappoint myself by returning to the mundane life up north. I was at an age where I was trying to find myself. Hatteras Island seemed like a great place to do just that, and besides I could surf beautiful waves while I did my thinking.

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A perfect setup on a Rodanthe sand bar, compliments of hurricane Gabrielle.

In 1973, I moved into a small house with friends, Mike and Mary Jo, along with my best surfing buddy, Louie. Our landlords were Valton and Lovie Midgett. Close by, there was a great surfing break out on the “outside bar”. An old wrecked LST stabilized the bottom for the most consistent waves. The ride was much like surfing a point break. In those days, Rodanthe was relatively untouched by development, so a handful of us were the only ones there to enjoy the bounty. 

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Valton and Lovie Midgett’s house.

A few months later, Louie and I moved to a trailer in the adjacent town of Waves. We rented from a local man named Luke Midgett. His family roots were deeply planted there. Our trailer was in an open field at the oceanfront. We surfed our brains out, and worked odd jobs to pay our expenses, including rent of $150 a month, split 2 ways. It was a life close to the elements, and we loved it.  Today there’s nothing but rows of rental houses on the site. I lived there for almost 3 years until I relocated to Salvo, the town adjacent to Waves. 

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Luke’s Village

Moving from one trailer to another trailer, this next one was newer and bigger, so I reserved the largest bedroom for my first official darkroom. Thus began my humble living as a photographer, even though it was part time. I honed other skills like woodworking, commercial fishing, and waterfowl hunting to get by. All along, I was teaching myself to make color prints, doing some shows and exhibits. Things were definitely picking up. This time I rented from a lady named Barbara Midgett. To help defray living expenses, my good friend BJ moved in some time later.

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BJ chopping for our preferred mode of heating. Wood was an abundant fuel source. It washed in on the beach and all we needed to do was to collect it.

After another 3 years, I found a larger house to rent in north Rodanthe. It was 1978. In the front rooms, I built a big darkroom with a gallery space next to it, then placed a sign out front on highway 12. I was open for business. Rodanthe, Waves and Salvo still was experiencing very little development. But now I was somehow able to pay most of my way with photography, and I loved taking pictures, printing and hanging them. I also loved the local people that lived there. 

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The view from my bedroom window was the Chicamacomico Lifesaving Station, decommissioned in 1954.

My friend Robin, lived in a hundred year old house across the street. He hunted, fished and surfed much as I did. Mainstream America still had not discovered Rodanthe, Waves and Salvo. Life was good and uncrowded. We experienced storms, floods and big waves. A few surfing friends came down for visits. It was a simple, yet full and rewarding life. My photography gallery was working better and better, so I began “working” full time photographing the environment around me.

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Robin Gerald was my alter ego.

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Burgess Hooper always fished with Princess.

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Barton Decker at the original Hatteras Island Surf Shop, circa 1978.

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For about 5 years, I worked as a waterfowl hunting guide along side Burt Hooper. He learned the craft from his father, Ed. Here he ties off some of the 200 redhead duck decoys that I took 8 months to paint. It was gratifying to see dense flocks of waterfowl pitch in to these hunting rigs.

In 1985 I finally bought a piece of land from Miss Lillian Midgett. It was on the scenic Pamlico Sound side of the island. This is where I began plans to build my studio home. It was the beginning of the end of my nights in Rodanthe. But that is another chapter in my life.